Skip to main content

Download Avenir® Next Fonts by Linotype

Download Avenir® Next Fonts by Linotype
Download Avenir® Next Fonts by Linotype Download Avenir® Next Fonts by Linotype Download Avenir® Next Fonts by Linotype



Avenir Next Pro is a new take on a classic faceits the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family.

More This family is not only an update though, in fact it is the expansion of the original concept that takes the Avenir Next design to the next level.

In addition to the standard styles ranging from ultra light to heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and offscreen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types.

Overall, the familys design is clean, straightforward and works brilliantly for blocks of copy and headlines alike.

Akira Kobayashi worked alongside Avenirs esteemed creator Adrian Frutiger to bring Avenir Next Pro to life.

It was Akiras ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutigers original intent, that makes this not just a modern typeface, but one ahead of its time.

Complete your designs with these perfect pairings: Dante, Joanna® Nova, Kairos, Menhart, Soho® and ITC New Veljovic®.



Download Avenir® Next Fonts by Linotype Download Now View Gallery


Popular posts from this blog

Download Kuunari Rounded Fonts by Mika Melvas

Download Now Server 1 Download Now Server 2 Download Now Server 3 Kuunari Rounded is (You guessed it!) the rounded version of Kuunari. Kuunari Rounded is a structured square sans type family of 42 fonts. It has three widths and 7 weights in both upright and italic versions. The base form is a round-cornered rectangle and this form constructs the glyphs throughout the fonts. Kuunari Rounded is a straightforward sans serif. It doesn't make any fuss about itself, it just does the job proudly and with confidence. It is very versatile; it can be used for titles and logos to make a statement or more delicately for body text and lead paragraphs. All in all, you can achieve diverse and rich typography with the Kuunari type family. Download Kuunari Rounded Fonts by Mika Melvas Download Kuunari Rounded Fonts by Mika Melvas Download Kuunari Rounded Fonts by Mika Melvas Download Kuunari Rounded Fonts by Mika Melvas Downl...

Download Orpheus Pro™ Fonts by Canada Type

Download Now Server 1 Download Now Server 2 Download Now Server 3 The original Orpheus design by Walter Tiemann (1926-1928, Klingspor) was certainly a masterpiece. Unfortunately, like so many typefaces of that between-wars era, it got overlooked when type technology changed over to film, and once again when digital type came around. But during the decade or so when it was available on the metal type market, it was quite popular in Germany. Tiemann was already famous for having an incomparable instinct for the construct and proportions of classic Roman caps, something that shows in spades here, but the surprising genius of Orpheus at the time was how it managed to seamlessly combine an expert vision of the traditional empire caps with a lowercase that showcases a very fine and precise infusion of that efficient rhythm of modern minimalism that was all the rage in Germany at the time, which of course lives on to this very day. Mo...

Download Pepi/Rudi Fonts by Suitcase Type Foundry

Download Now Server 1 Download Now Server 2 Download Now Server 3 The superfamily Pepi and Rudi is based on playful experimentation with basic geometric shapes - the circle, rectangle and triangle - elements that laid the foundations for typographic Modernism. The Pepi and Rudi introduces a number of current elements into a time-proven concept of primitively constructed typefaces. The typefaces somewhat uniform character width establishes a more regular rhythm; the character set is expanded, and legibility is improved thanks to taller lowercase. A wide range of ten styles, from hairline-thin to extra-thick with adequate Italics allow for universal use across the whole scope of graphic design. Carefully designed diacritics, clear punctuation marks, table number characters, ligatures, arrows or alternative lowercase characters are standard; this is sure to please everyone needing to work effectively with a neutral, geometric head...